Inspired

Laura A. Luszczek

Book Cover

GENRE

FAMILY

    Core Theme

    INSPIRATION

    TIME PERIOD

    20th Century (multiple decades)

    COMPARABLE TITLES

    BLACK BEAUTY, FLICKA, WAR HORSE, NATIONAL VELVET

    CHARACTER LIST

    • CONNER: 30S. LEAD. MODEST AND HOPEFUL.

    • EMILY: 30S. CONNER'S WIFE.

    • VINCENT BROOKS: 60S. CONNER'S MANAGER.

    • SKYLAR: 8. CONNER'S DAUGHTER.

    • LAYLA: 60S. CONNER'S MOTHER.

    • MIKE: 60S. CONNER'S FATHER.

    Logline

    Inspired is a story set in a small town and embraces three generations of family and relationships. The main relationship is between father and daughter. It is a story of inspiration on many levels.

    Target Audiences

    Age: 13-17,18-34

    Target Gender: Universal

    Setting

    Small town, anywhere

    Based on a True Story

    No

    Starting Description

    In the middle of a busy city on a cool fall day the sun was starting to set it was late afternoon. A man in his late twenties stood in a long black coat as his exited his car. You can see his broad shoulders as he stands with confidence. His black hair is slightly blowing in the wind.

    Ending Description

    It was decided with the new addition to the family that in time Conner wanted to make the transition back home. It would all come in time with the extra money. Conner helped his in-laws make updates to their cafe and in some of his spare time added a nice touch.

    Group Specific

    Information not completed

    Hard Copy Available

    No

    ISBN

    Information not completed

    Mature Audience Themes

    Information not completed

    Plot - Other Elements

    Meaningful Message

    Plot - Premise

    Internal Journey/Rebirth

    Main Character Details

    Name: Conner

    Age: early 30's

    Gender: Male

    Role: Mentor

    Key Traits: Charming,Honorable,Faithful,Sexy,Skillful,Strong Moral Code,Modest

    Additional Character Details

    Name: Layla

    Age: late 50's

    Gender: Female

    Role: Logical

    Key Traits: Adventurous,Charming,Gracious,Skillful,Modest,Confident,Heroic,Honorable

    Additional Character Details

    Name: Skylar

    Age: 8

    Gender: Female

    Role: sidekick

    Key Traits: Aspiring,Charming,Confident,Decisive

    Additional Character Details

    Name: Mr. Brooks

    Age: 60

    Gender: Male

    Role: antagonist

    Key Traits: Villainous,Aggressive,Unapologetic,Lone Wolf,Greedy,Power Hungry,Sarcastic

    Genre

    DRAMA, ROMANCE

    Brief

    Conner receives a life-changing opportunity as an artist to have a gala at the opening of a new museum. The problem is that his art has become just work for him, and with all of the added pressure he can't seem to find inspiration to complete his vision. Luckily Conner's has everything he needs for inspiration right in front of him. With the help of his daughter, parents and wife, and a couple of childhood horses, he is able to remember why he became an artist in the first place.

    Overall Rating

    FAIR

    Point of View

    THIRD PERSON

    Narrative Elements

    Authors Writing Style: FAIR

    Characterization: FAIR

    Commerciality: GOOD

    Franchise Potential: GOOD

    Pace: FAIR

    Premise: GOOD

    Structure: FAIR

    Theme: FAIR

    Accuracy of Book Profile

    The development pitch is very accurate, but the short summary does not match the tone of the book. The short summary is one paragraph from the introduction of the main character in the book and then an action that happens at least a third of the way into the book. By making the summary more about the entire plot, the reader could get a better sense of what the story is about because they can read the character description in the character details section.

    Draw of Story

    The conflict of losing inspiration behind doing what one loves and risking losing that love is universal for artists and perhaps other fields. It is a common phenomenon of following your dreams only to realize how hard it is to keep dreaming when things get difficult.

    Possible Drawbacks

    There is a lot of framework narrative within dialogue. This makes the shifts between first and third person somewhat hard to follow typographically and with punctuation. Segwaying into flashbacks as separate chapters - such as a first person flashback where the mom is just referred as her name rather than as the relation to a story for a little girl - would be a lot clearer. Or in the case of a future adaptation having the script use flashbacks in real time rather than a bedtime story with narration would help make the framework story feel more fresh. The conflict is very staggered throughout the everyday life snapshot. By having less scenes of breathing room, the conflict will be better kept track of and build more momentum and the quieter moments will seem more special.

    Use of Special Effects

    THE STORY DOES NOT RELY ON SPECIAL EFFECTS

    Primary Hook of Story

    The hook is that Conner is about to achieve his dreams of getting a gallery in a museum, but he can't think of what to create. Having passion and desire is universal, but actualizing fleeting inspiration while being tied down by rules and money is also universal. Thus a hook of a relatable conflict.

    Fanbase Potential

    This would have a large fanbase with people who like traditional values such as the Hallmark market, and those who like horse movies. People who enjoy family dramas might enjoy this, but as the drama mostly focuses on the artist, it is not really about the family in an ensemble type way, but they are just supporting characters.

    Awards Potential

    Because everything is rather wholesome there is not enough range for serious award potential for dramatic arts leaning ceremonies as the drama is very subdued. Dramatic awards tend to favor intense and polarizing emotions rather than embodying everyday life such as Conner's journey. This might win in the family drama sphere and for animal rights award shows like PETA's Oscats.

    Envisioned Budget

    LOW BUDGET

    Similar Films/TV Series

    THE PRINCESS BRIDE (STORY FRAMEWORK A LA BEDTIME STORY ONLY. NOT THE GENRE OR PLOT), THIS IS US, PARENTHOOD, THE LONGEST RIDE, REPLY 1998

    What’s New About the Story

    The originality comes from the older supporting characters. Layla being a former movie star turned horse trainer with her husband, Mike, teaching horse related stage combat on a horse farm that films documentaries about Autistic therapy is a very cool dynamic and setting. Adding focus to all the characters could make it feel more like a family drama in how they each embody the theme of following their dreams.

    Lead Characters

    The lead character wants to be not a children's artist but an artist for children.

    Uniqueness of Story

    At the moment this is a standard story of a man returning home to find himself, and realizing the value of his family. To make it stand out more, focusing on creating depth to the side characters with their own equal plots with conflict, could make this family drama seem more like an ensemble and less focused on a "troubled" male artist who gets to "have it all" at the end of the story.

    Possible Formats

    Film - Indie, Film - Streaming

    Analyst Recommendation

    WORK IN PROGRESS

    Justification

    While the story has many positive points, it has room for improvement (see possible paths below). If you can't change the story at this point, my suggestion is using your notes as a guide to highlight the best aspects of it when taking the next steps, either putting a pitch page together, a treatment, or a presentation.

    Tips for Improvement

    Making the story less about Conner and equalizing the family drama to be about all the family's individual conflicts in achieving their dreams would add drama to the plot, and add more depth. Emily is the most underserved character, but all the characters seem to live their lives in catering to Conner, but as the story is not in first person, but third person, this does not translate as well - it’s not clear why they do not have much of their own agency. By giving Emily her time to pursue her dreams outside of being a wife and mother and the one chapter at the end about getting her family's coffees shop or exploring how her dreams change could help utilize her more. Creating less quiet scenes and shortening the time between dramatic elements will allow for more momentum in plot and emotional attachment.

    Brief

    An aspiring young artist, Conner, is given the opportunity of a lifetime when his manager arranges for his work to prominently feature in a museum. However, Conner starts to feel overwhelmed from the pressure of his manager and balancing his work schedule with his home life. He soon digs into his past to find new inspiration for the exhibit.

    What We Liked

    - This is a heartwarming story that features complex characters who go on emotional journeys to reach their happy endings. In a twist on the generic horse story focused towards girls, this story features a male protagonist who lives in the real world and has real world issues that he copes with through the fantasy world.
    - Key points: Happy ending; Heart warming; Beautiful scenes; Small cast; Multi-generational characters

    Synopsis

    A young artist named Conner meets with his manager, Vincent Brooks, to discuss the opening of a new gallery in a museum. Brooks has made a name for himself in the art world as the Silver Fox, due to handsome, older appearance and smooth-talking nature. Brooks carries a silver pen with him everywhere he goes and makes many quips about the pen as mightier than the sword. Conner is apprehensive about working with Brooks, but has already signed a contract with him and feels stuck. Brooks encourages him that this is the beginning of the rest of his life, and that with Conner's work featured in this museum, he will go on to join the ranks of great artists such as Da Vinci and Van Gogh and tour all over the world, but Conner has no interest in seeing the world and would rather stay at home with his wife, Emily, and their daughter, Skylar. Emily used to work with Brooks in art sales and was good enough at it that Brooks wants her to return to the company, but she refuses, to Conner's delight. Conner has always worried that Brooks was too interested in Emily and too flirty with her, and although he has been given no evidence of this, the jealousy and suspicion eats away at him.

    Conner begins to work on his pieces for the exhibit, and Brooks pressures him to come up with something big for the main attraction. Threatened by Brooks and what he sees as his advances towards Emily, Conner is unable to think of anything for his main piece and feels uninspired and disinterested in art. Then, Skylar finds a box of Conner's old things from his childhood, including a stuffed toy horse he had named Couper. Skylar asks Conner about the toy horse and the paintings in the box, and Conner begins to tell her all about his childhood.

    Conner grew up on a farm with his mother, Layla, and father, Mike. Layla was a horse trainer who had starred in many movies with her favorite horse, a black giant named Baron. The first horse that Conner had a bond with was named Couper. Couper had thrown some of Conner's paint onto a canvas, and when that painting was entered into local contests it was appreciated by many, leading to Conner getting known as the local horse artist from a young age. Conner also used Couper to help teach a young autistic boy, Daniel, to express himself through art. Conner met Emily at this time as she took horse dressage lessons from his mother. At a local fair where Conner's paintings were entered, he meets Mr. Brooks, in his 30s then and with a partner named Mr. Sanders. Mr. Brooks wants to buy one of Conner's most prized paintings, the Iron Man. Conner had made that painting for his father, however, and is reluctant to give it away. Conner's father had gotten into an accident and gotten badly injured, and Conner had wanted to give him the painting as a gift. At first Conner is able to refuse selling the painting to Mr. Brooks, but soon, Conner gets accepted into an elite art school. Conner is unable to pay for the school, but would be able to with the commission from selling the painting. Conner sells the painting to Mr. Brooks, who says that Conner will have the opportunity to buy the painting back later once he has earned the money himself as long as Brooks can exclusively represent Conner in art. Brooks creates a contract and sends it over, and Conner is too young to sign it so his father, Mike, signs it. This enters Conner into a constant uphill battle with Mr. Brooks as the art salesman gains increasing amounts of control over Conner's life.

    Conner is inspired by sharing the story with Skylar and gets to work on creating paintings inspired by his childhood and life on the farm. He then paints over those paintings with glow in the dark paint that reveals fantastical scenes on top of the paintings when the lights are off. He wants to show the paintings without telling Mr. Brooks about the glow in the dark scenes and secretly arranges with the curator to present them at the opening. Meanwhile, Emily looks into the contract that Conner's father signed and finds a loophole that may allow for Conner's release from the contracts. At the gallery opening, the crowd is amazed by Conner's paintings, and his family all shows up. Brooks pulls Emily off to the side, and Conner finds them with Skylar screaming at Brooks and Brooks grabbing Emily's wrist and threatening her. Conner tries to step in, but Brooks pulls out his silver pen and reveals it is secretly a knife. However, Conner's mother steps in and even at her older age is able to take down Brooks. Mr. Sanders, an older man now, reveals that he still owns a controlling share in their art management company and that he will be managing Conner's career from now on. Conner is able to work and enjoy his art and spend time with his family just as Emily is expecting a new child.

    About The Author

    Laura A. Luszczek was born in Toronto, Ontario and has worked with horses since she was a child. This is her second book.